October 15, 2012

Day 87/91 - Elling (2001)


Petter Næss’ very funny Norwegian film, Elling, released in 2001, is based on Ingvar Ambjørnsen’s novel Brødre I blodet (Blood Brothers).  The Academy of Motion Pictures nominated the film as one of the Best Foreign Language films of 2002. The film concentrates on the relationship of Elling and Kjell Bjarne, two social misfits thrown together by fate.

 Elling (Per Christian Ellefsen) had lived in an apartment with only his mother until her death. The police have to come and drag him out of hiding in his closet. They send him to an institution where he befriends his roommate Kjell Bjarne (Sven Nordin), who Elling calls the Orangutan.  Kjell Bjarnes (always called by both names by Elling) is a simple-minded companion who is at first fascinated by the sex-stories that Elling makes up. The two are eventually released and set up in a two-bedroom apartment in Oslo which is paid for by the Norwegian government.  The first thing the friends do is move Kjell’s bed into Elling’s room so they don’t have to face the change of being alone.  And they become a Norwegian Odd Couple.

The film concentrates on the difficulties the two have in establishing what society would view as normal lives.

They have had no experience with a phone, but Kjell quickly discovers phone sex and runs up a huge bill. Elling’s mother did all the shopping while she was alive, so Elling’s first journey to the story ends up with him in a complete breakdown outside the store. As they meet each challenge, monitored by their social worker, Frank  Åsli (Jørgen Langhelle), small ordinary actions become major breakthroughs.

They learn to eat out at a restaurant. Kjell makes friends with Reidun Nordsletten (Marit Pia Jacobsen), a pregnant lady who lives in their building and the two begin a relationship. Elling becomes jealous, but it pushes him to go out to a poetry reading club where he meets a friend who owns a Buick and a cabin (keys to open new worlds for the pair).

With each change, we grow in our concern for them. To see them celebrate Christmas together and give each other gifts or watch them respond to the birth of Reidun’s baby was truly joyful to watch. And Elling’s final successful transition into society feels like a triumph.

Elling (2001) *****


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